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I can only say I hope its director won't jump to Hollywood in search of big-time projects that waste his potential. A 10/10 is really fair for a film that has it all, a perfect machinery that arrives at a time when we seriously need intelligent films and not blockbuster deceptions. I am still waiting to watch Le fabuleux destin d'AmГ©lie Poulain, La stanza del figlio, The shipping news, The hours and Italiensk for begyndere, but I know it will remain amongst those at the top. I do not hesitate to say that this is really one of the best films of the year 2001. Just as in the best painting of figures like Goya or Rembrandt, light and shadow reveal the objects and the people. The production design by BenjamГn FernГЎndez and specially the cinematography by Javier Aguirresarobe are extraordinary. It is even a more fantastic job when you consider that the film many people don't realize this is chiefly a Spanish production. Finally, I cannot but mention the crew of the film. The children Alakina Mann and James Bentley are also fantastic. Mills, and very surprising performances of a mute and an old gardener are given by Elaine Cassidy and Eric Sykes.

Fionnula Flanagan the sweet old lady from Waking Ned Devine is trully magnificent as the governess, Mrs. But it would be really selfish to give her all the credit when she was supported by an extraordinary cast. It does remind some of the most elegant names of classic Hollywood cinema like the Bette Davis of All about Eve or the Katharine Hepburn of The African queen. Sober and discreet when needed, yet grand all the same. really, a large percentage of the film's success can be related to her. All I can say is I am still dumbfounded by her extraordinary performance. I had never thought Nicole Kidman could have been at the height of the project, as I really have never considered her a great actress. That is one of the great things about the film it takes the best of the genre, the best that has been made by the best directors. he may reach such height but he still has a long road to walk. The director himself said it was an homage to directors like Alfred Hitchcock to whom he has been compared somewhat prematurely. It is true that many of the film's features and details may be traced to classic films of the genre, but there is nothing wrong with that.

The screenplay is one of the best of this genre I have seen in the last few years, very carefully revised and misleading, yet at the end everything makes perfect sense, not the mention on the second time you watch it. What a subtle charm this film works on you as a spectator. Exact, nothing is gratuitous or excessive.

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